I like to think there is a marriage between glass and light. When working with stained glass one is also working with light. Light is captured, slowed, transfixed, by the glass it penetrates. That makes stained glass a kinetic art, alive, always changing with the moving light; a subtle shifting of colors, a soothing that penetrates space, pooling on surfaces. That's why colored glass has been used in sanctuaries for millennia; it has the ability to alter us, to enhance our feelings of well being.

Stained glass is both subtle and vibrant. In my work I use diverse textures juxtaposed to catch the light in complex ways — for me, it is the language of dreams — a passion that is ever evolving at all levels of consciousness.

I began to work with glass in 1978. Since then, I have designed and fabricated stained glass on the East Coast, the Southwest, and now in Washington state.

I have worked with clients to create glass panels for residences, churches, office buildings, universities. I am pleased that my public work has the potential to touch many people and that I can work with clients to create an art form that enriches their everyday life and will live on generations beyond me.